KEENE.STUDIO is a curatorial platform founded by artist Tobias Keene, developed in collaboration with Annelize Bester, and shaped by the rhythms of studio practice. It exists as an extension of Keene’s working life as a painter—where looking is sustained, processes are allowed to accumulate, and conversation unfolds over time.
Rooted in a multigenerational artistic lineage and shaped by international experience, KEENE.STUDIO brings together practices formed through long engagement with making. The platform favors depth over immediacy, continuity over trend, and attention over display. Artists presented through KEENE.STUDIO are connected not by style, but by shared commitments: rigor, patience, and a seriousness of intent that resists easy resolution.
KEENE.STUDIO presents artist profiles, collaborative projects, and contextual writing within an editorial framework. It is not a marketplace, but a working studio—one that reflects the conditions under which Keene’s own paintings develop: through repetition, revision, and sustained contact with materials and ideas.
Through KEENE.STUDIO, artists are situated within the broader contexts that shape their work, including formation, lineage, education, and lived experience. The studio serves as a point of connection for curators, institutions, writers, and collectors seeking engagement that is slower, closer, and grounded in the realities of practice.
ARTISTS
TOBIAS KEENE
TOBIAS KEENE
Tobias Keene is a third-generation British figurative oil painter working in Los Angeles, California, Austin, Texas and Tysoe, U.K. Born in 1963 in Stratford-upon-Avon, Warwickshire, his practice is grounded in a multigenerational artistic lineage in which painting was a lived discipline rather than an academic abstraction.
Keene’s paintings are held in prominent private and public collections. In the United States, his work—alongside that of his father and grandfather—is part of the permanent collection of the Trout Museum of Art. Internationally, The King’s Horse resides in the collection of Charles Spencer and is displayed at Althorp House, situating Keene’s contemporary practice within a living continuum of portraiture, patronage, and historical placement.
Tobias Keene is a third-generation British figurative oil painter working in Los Angeles, California, Austin, Texas and Tysoe, U.K. Born in 1963 in Stratford-upon-Avon, Warwickshire, his practice is grounded in a multigenerational artistic lineage in which painting was a lived discipline rather than an academic abstraction.
Keene’s paintings are held in prominent private and public collections. In the United States, his work—alongside that of his father and grandfather—is part of the permanent collection of the Trout Museum of Art. Internationally, The King’s Horse resides in the collection of Charles Spencer and is displayed at Althorp House, situating Keene’s contemporary practice within a living continuum of portraiture, patronage, and historical placement.
ANNELIZE BESTER
Annelize Bester is a South African–born creative whose work is shaped by movement, displacement, and return. Her life and practice have unfolded across continents and extended periods of immersion, forming a non-linear relationship to creativity grounded in lived experience rather than fixed trajectory.
Her artistic foundation spans multiple disciplines. Classically trained in piano from an early age and later immersed in photography and film, Bester developed a sensibility attentive to rhythm, duration, framing, and the emotional weight of stillness. Across decades, photography emerged as a constant— an anchor to presence.